freudian-psychoanalysis(更新版)

　　

【正文】 hind Shakespeare”, and considered The Brothers Karamazov “the most magnificent novel ever written”, He justifiably claims that Dostoevsky’s depiction of so many violent, egotistical, and murderous characters points to similar tendencies within the novelist himself, and refers to his possible confession of a sexual assault upon a young girl. Freud’s also draws attention to the sadomasochistic traits that Dostoevsky undoubtedly displayed, and to his pulsive ’s interpretation of Dostoevsky’s pyschopathology rests chiefly upon the supposition that Dr. Dostoevsky, the novelist’s father, was “especially violent”. He assumes that Dostoevsky’s disposition was rooted in an unresolved conflict between masculine(sadistic) revolt and feminine(masochistic) submission in relation to his father, and that the severity of Dostoevsky’s selfpunitive conscience was derived from his father’s punitiveness. Conclusion on Freudian Psychoanalytical Criticism on Literature ? the articulation of sexuality in language ? the initial emphasis in its pursuit of the literary unconscious: on the author (and its character) ? analyzing the literary text as a symptom of the artist, where the relationship between author and text is analogous to dreamers and their “text” (literature = “fantasy”) ? movements as Dadaism and surrealism owe much to Freud, and also the employment of “streamofconsciousness”, like Virginia Woolf’s “The Waves”. 15 Thank you for your attention